Friday Sessions are informal talks and presentations hosted by public works on Friday evenings with invited guests and friends.

Post Salon Essay by Joost Beunderman



Joost Beunderman (Researcher, Demos) was asked by TINAG to write a brief post salon essay, highlighting the audience and speakers key points in a format that can be used to contribute to further debate and policy formulation. His essay can now be downloaded here -> tinag-public-air-space-post-salon-essay.pdf

The next TINAG SALON in the lead up to the October 2008 Festival is on Monday 26th November - 'How Vermin Are Shaping our Future Cities'


FS_21 Public Air Space with 'This is not a Gateway' Salon, Monday 24th Sep 2007 at 19.00




Monday 24TH September 2007
18:30 for 19:00 Start

From Stonehenge, to churches to university spires; houses of parliament to central railway stations and public housing projects; tall buildings have been expressions of public, civil and religious life. There is no doubt this has changed. Does this change matter? What is their new potential?

London's skyline has transformed in the last five years and is likely to continue to do so for another five. Only a few times each century do cities go through such focussed and prolific production and re-development. In its rush, each "boom" forges a transformation on the morphology of the city for future generations to read.

This Is Not A Gateway (TINAG) asks should everyone in the city have access to a horizon? Should this access be policy in the London Plan? Might these spaces articulate the new multiculturalism and 24hr clock of cities? Could "public spaces in the sky" be our new Hampstead Heath, Epping Forest or Queen's Park?

Dedicated to creating arenas for emerging voices related to cities, across cultures and disciplines TINAG coordinates bimonthly salons, annual festival, publications and an online library.

On this occasion we are delighted to be joined by four outstanding urbanists to consider and reconsider the relationships between tall buildings, amenity and public spaces - what they might be, what they might mean; in the air, up in the sky, in the city. PUBLIC AIR SPACE speakers:

Léa Ayoub (Researcher, Robert Tavernor Consultancy, LSE)
Paul Goodwin (Re-visioning Black Urbanism, CUCR Goldsmiths College)
Lina Gudmundsson (Urban Designer, Design for London )
Indy Johar (Architect, Zero Zero Architects)

To download a pdf press release click here ->tinag-public-air-space-salon-press.pdf

FS_20 together with Book Works and supportstructure on Friday 14th Sep 2007 at 19.00



public works together with Book Works and supportstructure invite you to a Friday Session to launch

The so-called utopia of the centre beauborg - an interpretation by Luca Frei,
co-published by Book Works and Casco
A FanFiction by public works and supportstructure:

Where does the speculation start and finish?
We are asking a number of artists/architects/urbanists who are/have been involved in participatory and/or self managed public programmes, to revisit that particular project's initial ambitions and concepts in relation to the reality of its lived appropriation.
What could have happened next?
The invitation is to fictionalise the future of the project, after it has already gone through multiple speculations by the different authors and users involved; this is meant as a light hearted opportunity to assess what has taken place so far, and to push it into a (probably) unrealistic direction.

Luca Frei will be joined by Alun Rowlands, Emily Pethick, Kathrin Böhm, Andreas Lang and Celine Condorelli, for an informal presentation and discussion.

Friday 14 September 2007
19.00 to 21.00
public works
Northgate House
2-4 Scrutton Street
UK London



FS_19 - with Justine Graham and Antonio Lipthany from Imbarquitectos, Santiage de Chile, on Friday 20th July at 19.00

Cerro Toro: Public Space Improvements for the Community

The Santiago de Chile based photographer/urbanist Justine Graham, and architect Antonio Lipthany from LMB Architects are going to present one of their current projects Cerro Toro in Valparaiso, Chile.

The Chilean government and the Inter-American Development Bank (IDB) signed an agreement in 2004 to create and fund the Valpo Mio programme, whose main objective is to implement urban renewal for specific areas of the port city of Valparaiso. After 2 years, Valpo Mio has not yet been able to deliver any concrete projects, mainly due to the enormous bureaucracy impeding them to spend the allocated money. However, in September 2006 they launched the first 4 tenders
1. Mercado Puerto (port market)
2. Plaza Civica (civic plaza)
3. Cerro Santo Domingo (public spaces Santo Domingo Hill)
4. Cerro Toro (public spaces Cerro Toro Hill)

LMB Arquitectos applied to the hills’ public space renovation projects in collaboration with architect Cecilia Puga, photographer/urbanist Justine Graham, and the Department of Geography form Universidad Católica de Chile, winning both bids.

The team’s philosophy offers a much more comprehensive approach to the initial urban design brief and includes a multi-disciplinary team of architects, engineers, social scientists, and a photographer. In March 2007 we began the design and community participation work on Cerro Toro and in August 2007 we will begin work for Cerro Santo Domingo.

The Cerro Toro project consists of the design and building of over 9,000 sq.m of public space of one of Valparaiso’s poorest and most socially excluded hills with a population of 2,500 people. Project Director, Antonio Lipthay and Community Participation coordinator, Justine Graham, will present the work to date of the Cerro Toro Project.

LMB Architects (Lipthay / Morande / Browne) was founded in September 2005 in Santiago, Chile after winning a competition for the extension of the German School in Valdivia, south of Chile. From that date LMB has developed three main areas: urban Design / Urban Studies, Residential, and Hospitals. Currently the practice has grown from the 3 founders partners, Antonio Lipthay, Sebastian Morande and Patricio Browne, to 9 architects. One of the aspects that the practice wants to emphasize is its capacity to collaborate with other disciplines and practices. “We believe that being flexible, collaborative and multi-disciplinary produces richer process and better output”.

Justine Graham is a photographic artist and urbanist, and founder of YAPO
Project, a new creative laboratory based in Santiago, Chile initiating cross-disciplinary initiatives and producing editorial content for cultural projects. Justine was previously project director and researcher for General Public Agency, London and project coordinator at The Architecture Foundation, London.

Contact: /

FS_18  Cadavre Exquis Cartography with City Mine(d) on Friday 29th June



An urban game & mapping exercise
Friday 29 June 2007 from 6.30pm onwards
Outside Bank Tube station. Take the 'Cornhill North' exit and meet us on the square outside the Royal Exchange, corner of Threadneedle St. and Cornhill.

The walks will be followed by two short talks at the public works studio at 8pm by
Dr Maria Kaika of Oxford University on the continuously changing development of the City of London.
Julie Myers will present - To travel Somewhere - a mobile phone/mapping project developed from a series of walks in San Francisco, USA, Cambridge, UK and Helsinki, FIN

CADAVRE EXQUIS CARTOGRAPHY prompts people to explore and collect ground-level images of the City.

The game is played in pairs sharing one digital camera with display screen.

Player 1 starts by taking a picture with a designated building or object in the frame as well as a second object/building of any kind. After handing over the camera to player 2, both leave the first photographed object behind, moving towards the second element of the shot. Player 2 now takes a picture with this building/object in the frame, but again with something else in the background or foreground, which will be the linking element in the next image. The camera is then handed over to player 1, who takes the next photo of the series.


1. A team is only allowed 30 shots and 1 camera per walk,
2. Images have to overlap physically and can only be of ground level building or object,
3. Only take images of objects/buildings in front of the team

All images will be assembled online and will allow visitors to wander through the City from behind their computer.

Come to Bank junction on Friday 29 June at 6.30pm and bring:
-a digital camera with its download equipment (Cables!), so we can download the images after the walk at Public Works.

no worries, you will recognise us…

Following the walks there will be two short presentations at Public Works studio
By Dr Maria Kaika of Oxford University on the continuously changing development of the City of London.
Julie Myers will present - To travel Somewhere - a mobile phone/mapping project developed from a series of walks in San Francisco, USA, Cambridge, UK and Helsinki, FIN.

Julie Myers is an artist who’s practice is informed by social encounter and intervention. Her work investigate memory, gesture and narrative in relation to physical environment. Sometimes recording just a brief moment captured between strangers and at other times building sustained relationship with multiple participants over a sustained period of time. She uses film/video, mobile technologies and database formats to document and present material that exists both on the web and in site specific or exhibition space.

Julie is a senor lecturer at Middlesex and Kingston Universities and lives in London. She has exhibited and screened work extensively receiving a number of awards including an AHRB research award and an Erasmus Scholarship. Previous work has been commissioned by The Arts Council of England, NESTA, The BFI, The Institute of Contemporary Art, BAA and the National Portrait Gallery. Julie has recently completed a placement at Adobe in San Francisco as part of the ACE interact program.

public works
Northgate House
2-8 Scrutton Street
UK London EC2A 4RT
Click here to view map

For more information email or

FS_17 - The17 - FRIDAY 25 MAY AT 19.00



FS_17 will present a one off performance by The17
Friday the 25th of May at 19.00 at the public works studio.
Click here for directions.


A time has arrived where we can (in theory and almost in practise) listen to any recorded music, from the entire history of recorded music, wherever, whenever while doing whatever we want.

This has meant our relationship with music is rapidly and fundamentally changing faster than it has done for many decades.

This is good for numerous reasons.

But a by-product of this is, recorded music will no longer contain the meaning it once held for us. This will entail it no longer gives us what we need and desire from it. Once a music has lost it’s meaning it has no value.

Thus as we edge our way deeper into the 21st Century we will begin to want music that can not be listened to wherever, whenever while doing whatever. We will begin to seek out music that is both occasion and place specific, music that can never be merely a soundtrack. We will demand music where we are no longer just the consumers, unwitting or otherwise.

The era of recorded music is now passing and within the next decade it will begin to look and sound like a dated medium. Recorded music will be perceived as an art form very much of the 20th Century.

The above notions excite me. This excitement has brought about The17. The17 rejects all that the era of recorded music had to offer and attempts to embrace the unknown opportunities of what lies ahead.

Please accept my invitation to embrace the unknown opportunities of what lies ahead in whatever way excites you.

Bill Drummond


FS_16 - Context matters - by Nada Prlja, Nemanja Cvijanovic, Sophie Hope

Can political art travel and be understood?
Monday 23rd April starts at 19.00
at public works studio

As part of REUNION, the next Friday Session focuses on art works by Nada Prlja and Nemanja Cvijanovic that address obstacles of political, economic and cultural exchange between the UK and South East Europe. How do our interpretations of political art differ across contexts and how can we tell the
stories of these contradictory reactions and translations?

Nemanja Cvijanovic's work conceptually explores socialist histories and constantly reconsiders the relationship between economics and politics, sometimes to the extent of being censored. Past works include 'The Sweetest Dream? a manipulation of the stars of the EU flag to form a swastika and a series of works critiquing loans for capitalist lifestyles exhibited at the gallery of the Austrian Erste bank in Rijeka, Croatia.

Nada Prlja's estate agency 'Give and Take' attempts to sell properties in South East Europe to UK buyers. 3 Markov Dvor in Belgrade, for example, is 'a beautiful four bed flat that has enormous charm and typical features of the socialist period...the property has been inherited through the generations and is currently occupied by mother, son, daughter-in-law and three year old baby'. "Give and Take" is a response to the current economic inequalities that citizens in Western and Eastern European countries are experiencing and mutually taking advantage of.

REUNION is an art research project by Sophie Hope that has received support from the Austrian Cultural Forum, London, Visiting Arts and the British Council. Nemanja Cvijanovic's residency in London is funded by the Croatian Ministry of Culture and City of Rijeka.

For further information about past and current REUNION work please go to


FS_15  30 Bird Productions - Mehrdad Seyf speaking - Friday 13th April -


Friday 13th April starts at 19.00
at public works studio

30 Bird Productions is an Anglo-Iranian film and theatre company producing highly visual new writing. Using its cultural heritage as its inspiration, 30 Bird explores the meeting points between Eastern and Western cultures, whilst using visual and textual material to develop new forms of performance.

30 Bird develops each project via a collaborative workshop process placing an emphasis on visual narratives. Via the use of sculptural design and installations, 30 Bird aims to create surprise out of the ordinary.

The rise of Modernism both as a philosophical outlook and an architectural form and its imposition in the East has informed much of 30 Bird's work. Our projects do not tell a story, they are more akin to musical compositions, depicting images derived from individual descriptions, photographs and official documents. Projects include: The Parable of The Blind, Death By Heroine, Majnoun, but you speak such good English and The Persian Revolution.



The easiest common denominator to be pointed out in the work of interior designer Ben Kelly and artist DJ Simpson is the use of DIY materials, bold colours and strong lines. That's where the obvious ends and an interesting conversations starts. Ben and DJ have been talking about the different influences and ideas behind their practice for a while, and this Friday Session will see a continuation of their conversations in public.

They will be showing examples of their own work and various cultural and material references which had formal and conceptual influence on their work, from Oskar Schlemmer's Lacquer Cabinet to Andy Warhol's Silver Factory, from Italian colour samples to new industrial sheet material, from Roxy Music to Stereolab.

Ben Kelly founded Ben Kelly Design (BKD) in the mid 70ies and the studio is best known for its innovative space planning using hardwearing materials. Designs include the Haçienda and Dry 201 Bar in Manchester and more recently the Discovery Gallery for Walsall Museum and Gymbox in Covent Garden and

DJ Simpson has been producing abstract drawings on laminated wooden panels, using various DIY power tools to carve into the various colours and finishes available for laminate. Recent commissions and exhibitions include a two coloured mirror piece for Draw, the opening exhibition of Middlesbrough Museum of Art (mima) and solo exhibitions with Sies and Höke Gallery in Düsseldorf and Helga de Alvear Gallery in Madrid.

Artwords Bookshop will be presenting DJ Simpson's recent monograph DJ Simpson works 2000 to 2005 which was published as part of his exhibition at the Mead Gallery in Coventry in 2006. The involvement with Friday Session 14 is one of many Artwords Bookshop events to promote and publish contemporary visual arts and culture.