The field-trip is part of a collective pan-european research project called RHYZOM.
On Friday 23rd October:
Introduction to Ruskin and guided tour of Brantwood House and Gardens by Howard Hull, Director of the Ruskin Foundation. Tea and discussion.
At 19.00 Friday Session with short minute presentations by the different RHYZOM partners/guests
Saturday 24th, all day at Lawson Park/Grizedale Arts, with a tour of the farm and gardens, actual gardening and harvesting vegetable for lunch, cooking.
A presentation by Edward Acland, local organic farmer at Sprint Mill and activist who is involved in communal growing schemes.
Sunday 25th visit Ruskin Museum/Coniston Institute.
We have a desk available to rent in the public works studio in Vyner Street, east London. If you are looking for a desk - short term or long term - give us a ring, send an email or drop in to have a look and a chat.
For more information contact us via email or via telephone on 020 8983 3883
1-5 Vyner Street
London E2 9DG
Wednesday 7th October 2009, 11am – 5pm
ixia and Situations have developed a series of Seminars framed by a provocative response to the statement: “What Public Art Needs Now!”
Adam Sutherland giving a tour of Lawson Park.
One of the primary roles allocated to public art within regeneration projects and cultural tourism is its contribution to place-making. Whilst many commissioners have now begun to take a more long-term, ‘embedded’ approach to developing a curatorial programme in response to their immediate contexts, they recognize the value of outsiders to the development of an ongoing programme. This Seminar looks at the relationship between the local and the outsider and public art as the result of that encounter.
Grizedale Arts has adapted the residency model as a means of sustaining a practice-in-place, but has highlighted the need for artists/curators to research, engage with and contribute to an ongoing engagement with the specific context of Cumbria from an outsider’s perspective.
This Seminar will look at the development of public art projects employing and adapting residential models of commissioning by considering some of the following questions:
• How can public art commissioning employ the residency model as a means of sustaining local engagement and audience participation?
• What are the challenges and pitfalls of negotiating an unfamiliar context as a visiting artist?
• What are the benefits and the shortfalls of being a resident commissioner?
• Is a residency or sustained period of fieldwork/research always required?
Public Art Needs Outsiders is organised by IXIA and Situations