Friday Sessions are informal talks and presentations hosted by public works on Friday evenings with invited guests and friends.

FS_12 IF-[untitled] Architects


Recent projects in the international development and emergency relief sector

IF-[ untitled ] architects [Martha Giannakopoulou, Annika Grafweg, Seki Hirano] will present and discuss the role of the architect within an international development and emergency relief sector, relating to their most recent commissions from Architects for Aid and Oxfam GB.

The presentation will include the design and construction of a new school building in India; and the facilitation of a participatory framework for planning a sustainable young people's village.
They will also show their work as a shelter coordinator for the reconstruction of Tsunami emergency response program in Indonesia.

IF-[ untitled ] architects is a London and Athens based studio established in 2003 who are active in various architectural and participation lead projects within the international development and the private sector.

For more information visit

FS_11 Sam Britton


From Architecture to Music - perspectives on new and recent work

An informal talk centred on a recent piece 'Junkspace', created and premiered at IRCAM in Paris in 2006. The piece explores different concepts related to form as it is conceived of in traditional musical structure and the possibilities of extending it through architectural processes and theory.

Following an apprenticeship as a sound engineer in New York in 1995, Sam Britton studied architecture at the Architectural Association from 1996 to 1999 where he received his RIBA Part 1 certification.

He began writing electronic music in 1996 in which he is almost entirely self taught. Since 1997 he has recorded and released music for a number of independent electronic music labels in the UK and the US (Output Recordings, Temporary Residence, Domino and The Leaf Label) to significant critical acclaim and continues to perform as 'Icarus' (with Ollie Bown) all over Europe.

In 2005/6 he completed a masters course in electronic music and composition at IRCAM in Paris. His composition work at IRCAM was overseen by composer Philippe Leroux and he attended master classes with Brian Ferneyhough, Hugues Dufourt, Joshua Fineberg and Yan Maresz. His composition 'Junkspace' for banjo and electronics was highly commended and premiered during the 2006 artistic season at IRCAM.

Since returning to London he has been actively involved in fostering new audiences for electro-acoustic music, notably through 'Not Applicable', the organisation he co-founded in 2002 with Ollie Bown. Recent work has centered around new techniques for electro-acoustic improvisation and has included performances with Evan Parker, George Lewis, Diemo Schwarz, Lothar Ohlmeier and Tom Arthurs.

Currently he is focusing on writing a new piece for string quartet and electronics and developing work with many diverse instrumentalists, continuing to fuse his approach to electronic music with an instrumental tradition in the pursuit of new avenues for compositional technique and musical perception.


FS_10 Doina Petrescu & Constantin Petcou


Doina Petrescu and Constantin Petcou will present and discuss the work of atelier d'architecture autogeree(aaa) in Paris. She is also a lecturer in architecture at the University of Sheffield and a co editor of the recently published "Architecture&Participation" book.

" The atelier d'architecture autogeree / studio of self-managed architecture (aaa) is a collective platform which conducts actions and research concerning urban mutations and cultural, social and political emerging practices in the contemporary city. The interdisciplinary network was founded in 2001 in Paris by architects, artists, students, researchers, unemployed persons, activists and residents.
We develop urban tactics to accompany micro-processes and enable rifts within the standardised urban contexts, which are regulated by private economic interests or centralised policies. These policies are incompatible with the global, informal and multicultural mobilities that characterise the present-day metropolis. We encourage the re-appropriation of derelict spaces and the creation of new forms of urbanity by local residents through reversible designs and lived everyday practices, which make use of their skills and knowledge. These spaces conserve a potential of accessibility and experimentation by resisting the increasing control of the urban context.
Our approach involves not only critical analysis but also the process of making and acting through shared competencies and collaborations. We valorise the position of the resident/user as political condition
and develop tools cooperatively to re-territorialise their spaces of proximity and empower their decisions and actions within the city. These tools include among others trans-local networks, catalyst processes, nomad architectures, self-managed spaces and platforms for cultural production.
A “self-managed architecture” provokes assemblages and networks of individuals, desires and different manners of making. It is a relational practice, which is not always consensual but at times conflictual, and it is the role of the architect to locate confrontations and accompany subjective productions. Such an architecture does not correspond to a liberal practice but asks for new forms of association and collaboration, based on exchange and reciprocity.
Our architecture is simultaneously political and poetic as it aims above all to "create relationships between worlds".

FS_09 Pictoplasma followed by Xmas Drinks


Animated presentation by Pictoplasma partner, Lars Denicke from Berlin, followed by public works Xmas Drinks from 8 pm onwards.

Starting in 1999, Pictoplasma has archived and stimulated the activities of character design around the globe. By playfully sampling and remixing visual codes, contemporary character design has redefined the aesthetic standards of visual communication worldwide.

It is Pictoplasma's aim to foster an understanding of this phenomenon as a new era of figurative expression. Through pictorial encyclopaedias, exhibitions, online archives and festivals, Pictoplasma brings together artists and designers from all over the world, encouraging experimentation and pushing the development of this new visual language. Recently, the 2nd Pictoplasma Conference brought together designers and artists from around the world in Berlin to "Get into Character". In a collaboration of character designers, costume designers, dancers and visual artists, the relation of image and body has been brought to issue in a fresh way.

For more information please visit


FS_08 Christiania


Freetown Christiania: Research Presentations and Debate

Individual Research Presentations followed by informal Dinner for everyone, followed by
discussion and debate

Freetown Christiania (
The Freetown Christiania in Copenhagen has been in existence for more than three decades. For just as long it has had to defend its self-governed status against the Danish government’s attempt to “normalize” it. Christiania is a unique community and place that holds its own rules, and proves a successful model for collective ownership and living.

The Christiania Researcher in Residence project (
The Christiania Researcher in Residence project was established in regards to the fact that Christiania is part of Denmark's history and poses questions of what Denmark's cultural memory is and how it should be formed. These questions are extended to an international context.

Friday Session 08
The evening will start with presentations by Christiania residents involved in the current negotiation regarding Christiania’s status and future, and members of the Christiania Researcher in Residence Project. It will be followed by artists who have been invited by CRIR to develop work in response to Christiania.

An informal dinner will allow everyone to gain energy for a more general discussion on Christiania
as a social, cultural and legal model. The profit made from selling drinks and food will go to CRIR.

Presentations and contributions by

Lise Autogena
London based artist, former Christiania resident and founding member of CRIR.

Emmerik Warburg
Christinania based sound engineer and video artist, founding member of CRIR and part of Christiania´s activistic society.

Jens Brandt
Architect, activist and member of CRIR, based in Copenhagen and Croatia.

Asa Sonjasdotter
Artist and member of CRIR, based in Sweden, Denmark and Berlin.

Nicoline van Harskamp
Amsterdam based visual artist; her video project “Christiania Trias Politica” looks into the history of rules and governance in Christiania.

Jaime Stapleton
London based historian currently working for the World Intellectual Property Organisation; his primary focus was the "sense of ownership" that Christianites have developed in relation to their homes and community and its relation to "legal" ownership of property in Christiania.

Neil Chapman & Martin Wooster
UK based artists and writers, whose audio interviews trace an invisible relationship between people and stories in Christiania.

Michael Baers
Berlin based artist, who is asking “What is the Mystery” in his recent comic strip about Christiania, which appeared serially in Ugspjelet, the Christiania community weekly paper

FS_08 Presentations by Christiania's Researchers in Residence


Freetown Christiania in Copenhagen, DK, is both a living community and an amazing social and cultural experiment, which keeps developing and evaluating itself. The Christiania Researchers in Residence Porgramme was set up to invite artits from outside to live in Christiania and to develop new work that explores some of the particularities of Christiania.
The evening will start with a number of presentations by artists who have worked from within Christiania, followed by an informal dinner for everyone, and a debate on the current situation of Christiania and the research outcomes in relation it.

For more information visit

FS_07 IGMADE presents recent works


Igmade is a collective of artists, designers, architects and theoreticians. It was first formed in Stuttgart in September 2001 as a think and action tank to offer expertise to Stuttgart University's Institut Grundlagen moderner Architektur und Entwerfen (IGMA). Igmade deals on a theoretical level with the interrelations of space, politics and warfare; based on that it develops book projects, designer toys, dance tracks, architectures, exhibitions and video clips. Since the publication of Igmade's book "Codes: Architecture, Paranoia and Risk in Times of Terror" (Birkhäuser, 2006), the group became independent from its Stuttgart university context. Its protagonists are now mainly based in Berlin. Current members include Julian Friedauer, Stephan Henrich, Daniel Hundsdörfer, Martin Knall, Iassen Markov, Dick Martini, Daniel Mock and Stephan Trüby; during the public works session, some of them will present past and present work.

FS_06 'The Urban Village' by Crisis


CRISIS is a national charity that fights homelessness and empowers homeless people to fulfill their potential and transform their lives. With Urban Village CRISIS has developed a new model for sustainable communities with affordable homes for low income essential workers and formerly homeless adults.

Urban Village is:

- An innovative concept for socially mixed communities based on tried and tested model from New York
- High quality permanent housing with onsite holistic support and opportunities for work and well being
- A cost effective solution, which tackles multiple agendas across local and central government

Located on the City Fringe in Tower Hamlets, Urban Village will create 270 units of permanent affordable housing for a mixed community of low income workers and homeless adults unable to move on from an overcrowded hostel system. Urban Village will not only provide high quality, environmentally friendly housing, it will also boast integrated onsite support services including healthy living, training, and employment opportunities. Support services include the New Mildmay Hospital serving people living with AIDS, a Primary Healthcare and 8 bed Detox Centre, and the New Shoreditch Tabernacle Baptist Church.

Urban Village is based on a successful model pioneered by Common Ground Community in New York in 1990. Common Ground currently operates 1500 units. In 2005, New York City government committed to delivering 9,000 more units.

FS_05 Rebranding & Relaunch of Stratford Circus


At Stratford Circus, five creative organisations work as partners in one building to help East Londoners develop confidence and careers in the arts. There, the education programme is not an add-on to performance, but an equal: evenings of dance, urban music and theatre take place alongside a continuous programme of classes and workshops.

Stratford Circus has re-launched this June with a new identity and a book exploring the academic base underpinning its work. This Friday Session (on a Monday) will take the re-launch as its starting point, and will explore the process of branding a building occupied by a several independent groups who have separate identities but share joint aims.

Meanwhile, the socially inclusive model realised at Stratford Circus is beginning to appear in different versions in the activities of other arts organisations. So the evening is also an opportunity to consider the impact of this practice on a young, creative urban community" and its implication for the future of the arts.

Speakers are:
Sarah Wedderburn, Writer and Brand Consultant
Clare Connor, Creative Industries Development Manager for NewVIc at Stratford Circus
Lolli Aboutboul, Graphic Designer and Creative Facilitator
Daniel Harris, Artist (Yeast Culture)
Debra Reay, Arts Consultant
David Rosenberg - Architect

FS_04 Wapke Feenstra talks about Cityscapes


"In the Friday Session, I will focus on the cityscapes and hope to discuss with the audience questions like: what is the space of a cityscape? And why do I stick to making impressions of a location by looking for details that just give a random and subjective trend of a chosen inlet of the space? How can cityscapes be a screen of the location that is communicating the space around us more like landscape-paintings can do (a genre that tends to narrate our emotional relationship to our environment)?" Wapke

Feenstra evokes spaces to roam in, get lost in, gather thoughts in or fantasise in, thought-lost. Feenstra has a weakness for objects that, because of their very ordinariness, have no necessary meaning. She places them in a new perspective, creating the space to see them in another way " as mental spaces in which things do" look as they usually do.
The works are intended to provoke the viewers' associations, and are rarely clear-cut. Many of her works comprise part of a presumed larger whole, but you will never see it all at once. The works are making you aware that the perception is a local and subjective moment, cut out by time and space, but never isolated from culture.

Wapke Feenstra (1959 Wjelsryp, Hennaarderadeel) ; studied art at the Jan van Eyckacademie in Maastricht (postgraduate 1991) and works since 1992 as an artist in Rotterdam. Recent outdoor projects are Bathers in Amsterdam (2003) and Bathers in Munich (2005). Recent white cube shows i.e.: Klein Art Works Chicago IL (USA) 2004, Museum of Contemporary Art Heerlen (NL) 2003 & Rotterdam (NL).
Cityscapes can be seen i.e. on the internet , ongoing story collection in Dordrecht (NL) 1999-2009,, Arnhem (NL) see the city by following the dog routes 2001, , the cyclic time in a neighbourhood in Tilburg (NL) will be shown in pictures and trees 2005-2010.